Sanchez’s work is grounded in both field research and embodied practice. She engages directly with places of manual labor, treating them as archives of social and ecological tension. Through digital documentation, she produces fragmented visual traces that raise questions about power, memory, and the ethics of visibility.
Influenced by the writings of Françoise Vergès, Karen Barad, and Gloria Anzaldúa, Sanchez frames cleaning as a material and symbolic act that carries colonial histories while also pointing toward forms of repair and resistance. Her work draws from feminist, decolonial, and ecological thought to challenge extractive narratives and open space for alternative imaginaries. One that responds to both social injustice and ecological urgency.
Claudia’s practice moves between Mexico and the UK, shaped by the tensions and overlaps of both contexts.